My passion for music began when I was a child, playing with my mother’s 45‑rpm turntable.

At 17 I started collecting vinyl and experimenting with a cassette deck, cutting and extending tracks to reshape the structure of the music of that era.

The real turning point came in high school, when some friends took me to the Teens Club in Venice.

There I met the resident DJ, Golia (Davide Maggio), a well‑known figure in the Venetian scene.

I used to bring my records, they let me in for free, and one day — due to a series of coincidences — I found myself behind the decks.

Two bartenders were sick, Golia had to replace them, and he simply told me: “Today, you’re the DJ.”

With trembling hands, I started mixing. From that moment on, I never stopped.

I played in many of Venice’s historic clubs: Acropolis, Rouge et Noir, Teens Club, and later in iconic venues on the mainland such as Pape Satan (Dolo) and Capannina Beach (Jesolo).

In 2002 I moved online, and in 2004 I created deepindub.org, initially as a home base for my monthly mixes built from tracks discovered across early netlabels like Instabil, Kyoto Sound, Textone and many others.

The project grew quickly: I was invited to Berlin for Netlag‑Venice, an event created specifically to have me perform alongside other artists.

There I made important connections that led to the first official Deepindub release, featuring none other than Marko Fürstenberg.

Deepindub became increasingly known, allowing me to travel across Europe and the UK. In 2014, due to various circumstances, I had to stop the active project, although the website remains online as a historical archive.

After a period of silence, I returned under the name Spacechord, releasing new music — until life once again forced me into another long break.

Today the project is reborn, and this time I’m not letting it go.

My live experience ranges from large clubs to refined lounge venues such as SmoKe at Lido di Jesolo and Capannina Beach, places where my selection has always been appreciated.

I now bring to my live streams and DJ sets a blend of deep dub techno, deep house, minimal deep and chill‑out, in various forms and intensities.

One thing, however, is certain:
don’t call me if you need a commercial DJ.
I could do it, but I simply can’t — not for any amount of money.

I was born for a different kind of journey.